Mainland

"Laughing Theater" is the only daily broadcast "language-based" program of the Arts Program Center of Beijing Television Station. "Strongly launching" the first period, creating a unique "humorous storytelling" style to build a Beijing flavor; "Steadiness and stability" the second period, adhering to a professional path with "affinity"; "Ingenuity" the young period, opening up "promotion"

Under the rule of the Qing Dynasty, the discrimination and oppression against the Miao ethnic group by the Qing court were particularly severe, and military suppression was also very serious. Economically, they set up military camps in the Miao areas and forcibly seized farmers' land. Politically, the policy of replacing native chieof-officials with those in the imperial system was implemented, and the position of "liu guan" was established. Militarily, military camps and fortresses were established. The Miao people were not convinced and resisted the violence. There were three uprisings in the history of the Qing Dynasty's rule.

Produced by Yunnan Plateau Film and Television Culture Center, this film tells the story of the ups and downs of business and the emotional entanglements of modern Chinese tea merchants...

The story takes place in Wushan Town, Gucheng, a major tea-producing town in Hubei Province. Every March, the place is filled with blooming flowers, green tea and bustling crowds. The harvest of tea leaves leaves the tea farmers so busy that they can hardly breathe. So they went to the labor market in the city to find people to be tea pickers, paying based on quality and quantity. It attracts many city people every year

Prairie Mother, produced by Beijing Zhongshi Jiaxing Culture Communication Co., LTD., Filmed by Beijing Zhongshi Jiaxing Culture Communication Co., LTD., and approved by the Organizing Committee of the Fourth National Theme Education Selection Activity on Respecting, Loving and Assisting the Elderly. Date: June 2010

"Camellia Yi Women" will tell the story of the female lead Er Guo (played by Xu Ziru) and the male lead Na Su (played by Da Wa) who love and protect flowers. It is a microcosm of the countless people who love camellias. Reflect the natural scenery and cultural customs of Chuxiong, Lucheng, Yunnan Province, further enhance the reputation of Chuxiong as the "Hometown of Camellia", and promote the development of Chuxiong

The film takes winning the battle against poverty and entering a moderately prosperous society in all respects as its theme. It follows the protagonist, the female village party secretary, as she leads the villagers to shake off poverty and become prosperous. The story tells that after the protagonist Zhao Huijie (played by Fang Qingzhuo) failed in leading the villagers to grow carrots, people began to question her. Facing numerous pressures, she summed up her experiences and lessons

Produced by Jinhua Radio and Television Station, this film tells the story of the new generation of farmers' pursuit of culture and happiness against the backdrop of the new rural cultural construction in Jinhua City. The film, in the form of a light comedy, reflects some vivid and interesting stories emerging in the current rural cultural life, through the collision of urban and rural concepts and new ideas

The film tells the story of two generations of "singing Kings" of the Mongolian ethnic group. The father is the "old singing King" who brought long songs out of the grassland and to the world, while the son is the "young Singing king" who brought pop music into the grassland. Due to their different musical concepts, the father and son had a series of conflicts over the inheritance and promotion of Mongolian music.

In 1968, Hong Yan and Li Yuanchao fell in love despite the obstacles of their family backgrounds. They eloped and forged their files to join the Construction Corps. After reaching the frontier, Hongyan became pregnant and the entire incident was exposed. Five years later, a fire broke out in Death Valley. Hua 'er's father sacrificed his life to save Hongyan's son, Nian Chao. In 1977, when the educated youth returned to the city, Hongyan left.